meez podcast

Is your restaurant you're favorite place to be? Plus authentic is a construct, working with your life partner, and wild stories of pigs in walk-ins

Headshot of Todd Duplechan

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About this episode

Josh and Mike sits down with Todd Duplechan, chef and co-owner behind Lenoir, Dovetail Pizza, and the newly opened Bonnie’s, for a wide-ranging conversation that blends wild kitchen stories with deeper reflections on what it actually means to build a restaurant you love. Todd shares what it’s like to operate multiple concepts on the same block in Austin, the lessons learned from opening a bar for the first time, and how redefining roles, expectations, and service can make a restaurant both more sustainable and more enjoyable to run. The conversation dives into the realities of working alongside a spouse for over a decade, the importance of constant iteration, and how small mindset shifts—like designing a space you personally want to spend time in—can fundamentally change a business.

The episode also explores the bigger philosophical questions around food: what “authenticity” really means, how history shapes cuisine, and why tradition is often more fluid than we think. Todd breaks down the evolution of Texas food through migration, climate, and culture, challenging the idea that any dish can be frozen in time. Along the way, the conversation touches on restaurant design, sustainability, leadership, and the grind of the industry—before ending with unforgettable (and chaotic) stories from their time working under Chef David Bouley in New York.

Links and resources 📌

Visit meez: https://www.getmeez.com

Follow meez on Instagram: https://www.instagram.com/getmeez

Follow Josh on Instagram: https://www.instagram.com/joshlsharkey/?hl=en

Follow Josh on LinkedIn: https://www.linkedin.com/in/joshua-sharkey-406965b/

Follow Todd Duplechan on LinkedIn: https://www.linkedin.com/in/todd-duplechan-175644134/

Follow Todd Duplechan on Instagram: @duplechananigans

Visit Lenoir: https://www.lenoirrestaurant.com

Visit Dovetail Pizza: https://www.dovetailpizza.com

Visit Blanket: https://www.blanket.app/

Follow Michael: @michaeljacober

What We Cover

01:01 Introduction and setting the stage for the episode

03:24 The wild reality of NYC food truck licensing and restaurant builds

08:52 Opening Bonnie’s and learning how different bar operations really are

12:23 Rethinking service, roles, and making restaurants easier to work in

18:20 Building restaurants you personally want to spend time in

22:15 Working with your spouse as both life and business partner

27:29 The myth of “authenticity” in food and why it’s always evolving

33:24 Texas food history and how culture shapes cuisine

41:24 Designing restaurants around sustainability and local context

01:05:28 Legendary Bouley kitchen stories and lessons from chaos

Transcript

Joshua Sharkey (00:00.174)He used to bring in pigs, I know if you remember, remember? would bring in pigs and like change the menu at the last minute. One time he brought in a pig, changed the menu at the last minute and I had to like make some fresh pasta at the last minute and a couple things. And the pig was down in the walk-in hanging. I ran down to get some fennel for something. And then I was in the walk-in by myself and I thought, you know what, let me just smack its butt a little bit. Let me dance with it a little bit. As I was dancing with this pig, maybe there's a little gyration, Lule walks in.

He's like, Hey, Josh, like, so.

Todd Duplechan (00:34.542)What? It's good. That's good. First of all, that's good because he knew your name. That's a that's a big one, actually.

Joshua Sharkey (00:42.518)Well, typically when he would say my name it would be followed up with, you know, over there we didn't do it that way. Over there. Remember? Like over there. Like that.

Todd Duplechan (00:48.748)Yeah.

Yeah, across the street because he moved his restaurant from over there, 100 yards away to over here to the tune of probably eight million dollars.

Michael Jacober (00:59.566)Jesus.

Joshua Sharkey (01:01.07)You're listening to the Meeze Podcast. I'm your host, Josh Sharkey, the founder and CEO of Meeze, a culinary operating system for food professionals. On the show, we're going to talk to high performers in the food business, everything from chefs to CEOs, technologists, writers, investors, and more about how they innovate and operate and how they consistently execute at a high level.

Day after day. I would really love it if you could drop us a 5-star review anywhere that you listen to your podcast. That could be Apple, could be Spotify, could be Google. I'm not picky. Anywhere works. But I really appreciate the support. And as always, I hope you enjoy the show.

Didn't you give me your food truck license or another food truck license?

Michael Jacober (01:44.302)think there was some... we did something.

Joshua Sharkey (01:46.508)Because it was like impossible to get a food truck license.

Todd Duplechan (01:48.974)You had a food truck in New York?

Michael Jacober (01:50.936)Did ya, way back when?

Todd Duplechan (01:53.134)That's one of those fascinating things to me that you look at and you're like, how does that work? know, these guys are so fair amount of food trucks, but where are they? How are they doing it? Are they commissarying? Are they buying?

Michael Jacober (02:06.03)You legally need to park your truck at a commissary overnight that is, that has a department of health license. But the whole, the whole challenge around the business was like, there was a, there was a license freeze for years. I don't know what the state of the business is now. And there was only, the only people who could get new licenses were veterans. There was a lot of people partnering with veterans. And if you couldn't partner with veteran, you would try to partner with someone who had a license. You essentially rent that license from that person and then.

I got into it. like, I was just asking vendors, like, how do I get a license? do I know? And would tell me then finally someone after like a month told me like, you got to call this guy and ended up like in his office in Bay Ridge. was like, you know, a travel agency. was like, there's no travel agent. and then yeah, it was like this whole thing where like you go and you kiss the ring and then he like, you know, connects you with.

with a guy who has a license, then he shows up with you on the day of the inspection, you give him a big bag of cash.

Todd Duplechan (03:06.99)New York, baby. Love it. It's Oh yeah, the badges. That was

Joshua Sharkey (03:09.686)Remember the taxicab?

Joshua Sharkey (03:14.274)very expensive

Michael Jacober (03:14.85)That market was, mean, weren't they up to like almost a million dollars at one point?

Todd Duplechan (03:18.958)Yeah, and now they're worthless.

Michael Jacober (03:20.75)They're worthless. Worthless.

Todd Duplechan (03:24.043)Unbelievable.

Joshua Sharkey (03:24.844)That is true. It's so funny how that went from, a million to zero. Yeah. If you had just sold a badge.

Todd Duplechan (03:28.494)Imagine before whenever you guys built. whenever you were building bark and things like that, did you have to use unions? No. So whenever, we were doing the core club, Dan, we were building a whole building and it was the unions were involved and that was the same deal. was like work stoppages, but not official work stoppages. They would just be like, Nope, we're not working today. And they would blatantly in front of everybody just be like, you know, maybe go to the ATM and get me a grant.

And it's like, okay. And the guy that was the director of operations or whatever he was would literally just go get a thousand dollars in cash or whatever the guy said and just be like there. And he'd be like, we're back. We're back in business. It's like, what is happening? Like, yeah, it was wild, especially thinking that time was gone in New York. Like, that's, that's in the movies. That's in the seventies and eighties. No, it's still.

Joshua Sharkey (04:12.718)It's wild,

Todd Duplechan (04:24.054)And I don't know if they're just still doing it because they're they know that we've all seen those movies and it's like, well, what's going to happen? Are we going to get kneecapped here or?

Joshua Sharkey (04:31.886)One of the most frustrating ones, I know what happens a lot happened to us was with one of our builds, you know, the GC, they don't pay all their subcontractors and the subcontractors put a lien and then you're on the hook for that. And then the GC is gone and then you have to double pay because like you paid the GC. Then it turns out he didn't pay the plumber and the electrician and they're like, well, if you want us to finish, you're going to have to pay us.

Todd Duplechan (04:54.99)Which could be a scam of its own, right? He could have gotten paid and be like, we didn't get paid.

Michael Jacober (05:01.13)It's more of the, it's not, it's not the scam. The G the GM like small scale GMs. would say, sorry, not GMs, GCs. would say on a percentile basis, like 90 % of them are, are just crooks, like just straight. And it's a cultural thing. It's like, don't, don't blame them. I don't think they're like ill willed people. think it's just that they learned it from their years in the business and

Todd Duplechan (05:06.083)Ha ha.

Michael Jacober (05:29.88)That's just, that's just how it goes.

Joshua Sharkey (05:32.974)That's a bold statement. know some great GCs by the way, and I think it's one of those things where you get what you pay for because the really good ones are fucking expensive.

Michael Jacober (05:40.812)Really good ones are really expensive. Really expensive. But they're also doing really big projects.

Joshua Sharkey (05:45.026)Yes. And they're doing like standing and it does take like a lot of, you know, coordination and a lot of organization. so it's, know,

Todd Duplechan (05:52.92)With the last, so I've done a bunch of projects leading up to COVID. And then just after COVID, we renovated the little bar, renovated the restaurant, which was fine, but it was, it just, was a very small project and it did not go well because of the GC and because of the designer. And that's a lot of the reasons for Bonnie's where I was like, I'm not doing this. I'm not, I'm not going to have a GC and I'm not going to have a designer because I just, I'm just going to do it on my own.

And I ended up having a GC for Bonnie's and they were great little mom and popper, father and son operation. And they were actually really good, but I still ended up doing most of the project myself just because they, don't know what you're saying. I don't know if they're inept or if they're crooks, but one way it's who cares? It's the same thing at the end of the day, whenever you're trying to get a project done and you can't because of ineptitude or

Crookery, whatever the word is.

Michael Jacober (06:53.568)Have you thought about just getting your license?

Todd Duplechan (06:56.238)Well, that's the great thing about Texas is you don't need a license to be a dental contractor. So whenever I was fishing around during COVID, you know, I was, we were done. like, that's it. I'm not in the restaurant business anymore. I started thinking about what I was going to do when I grew up. And that was one of those things was I can do most of the stuff. I understand how it works. if I, and I have, I've been in the business for a long time, so I have a great Rolodex of people that can do the things that I can't do.

So I thought, well, why don't I just do restaurant specific or maybe food and beverage specific general contracting. it seriously crossed my mind. We weren't out of business, luckily I'm still here in the restaurant business, but I dabbled, I put my toe in it with Bonnie's. My problem with that general contracting and with the restaurant business and why I'm who I am is that I have opinions and I like to do things the way I like to do them.

that doesn't really, wouldn't really mesh well working for other people in a general contracting way, because so much of it is just stamp it out. The materials don't matter. Get it done quickly and cheaply. If it falls apart in three years, not really our problem. And there's not a whole lot of creativity in the realm of like, how can we do this better? How can we make it nicer without maybe spending more money? Things like that. So I would probably not be that successful in it, but.

It's fun to do. It was fun to do on my own. Yeah. Because I got to make all the decisions and just be like, this is it. And then what came from it at Bonnie's, really liked. So.

Joshua Sharkey (08:38.381)It's wild that you did all that renovation on your own. want to hear more about it. You and Jess came on, I think it was like two years ago. I don't remember if Metier was still there at that point. And I also didn't know.

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